What Is Western Music Theory?

What Is Western Music Theory?

It is not so easy to simplify music theory in a single definition, due to the music’s evolved state itself. But we know exactly what ‘music’ is being talked about here. It is the music that has accompanied the growth and development of human race on the entire earth; so that you could expect that there is such a long history entailing the conception of what music theory is.
Yet, we could still get a hold on a perspective viewing music theory as a set of principles or basic values that must be on a music. It wraps up pitch, rhythm, form, harmony and even silence. Those elements would always be present on every music composition. It is even like a natural concept flowing through the process of making music.

Music Theory’s History

A long history of human race has proven that music is not a trend. Music-making is an ancestral behavior, as shown by so many prehistoric artifacts which are considered to be our ancestors’ musical instruments. And since that time, music theory had actually been developed.
western-music-theory

As humans mobilized, their culture on music-making had also been developed. Western community should have got their own story regarding to how they contemplate music theory of themselves. A writing from Boethius called De institutione was claimed to be the first treatise explaining about how music positioned itself at that time, alongside its composition pattern.
That marks the Western’s contribution to the whole music history, which has finally got the power to be among the most admired music around the world.

Western Music’s Intervals

Well, how do you define Western music? Is it music made originally by Western musicians? Or is it the music produced in Western countries? And even, who are Western people or what are Western countries? It is quite hazy to describe this Western music as one musical concept. Yet, let us rely on the most typical assumption.
If you are wondering about how Western music theory states itself out, then we can see it by analyzing the music’s intervals. Interval, which is the tonal gap between two notes, can be as small as a half step in Western music. That half step is also called minor second. This term, minor second, is one among the twelve notes ended with octave on the 12 half steps.
These interval theory can be a bit confusing and difficult to understand, unless you have been pretty pro on the field.

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Indian Music Theory
Music Theory on American Folk

Indian Music Theory

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Indian Music Theory:

Indian music is more than just the Bollywood movies sounds that have become so famous in the last 10 or 20 years and it is more than the uncomfortable stabs that many UK rock musicians made at it in the 1960. Indian music is a tradition that interlocks with Indian history and culture. It is a vibrant and rich medium and remains even in 2016 largely outside the keen of the typical latest westerner. Across the dominant centuries it has evolved into a complex system based on melody and rhythm.
Melody is perhaps the most important part of Indian music. A system of sweet ideas known as Raga drives melodic compositions. Each Raga can be thought of as a character with its own personality.
The raga became an integration part of spiritual practice and Indian culture. There were set of rags that were to be played at different times of the day and also unique ones for ceremonies. Further, they were generally used in prayer and meditation, sometime as chant. A lot of the time these scales were sun vocally, but they are played on a range of instruments as well.
indian-music-classic-theory

The Octave comprises 22 equal divisions known as Sruti. These may be gathered and re-grouped into 12 Swara which may be similar in the ways they move to the 12 semitones of European scales. Like those of European scales too, 7 are regarded as being primary while the other 5 the “sharps” and “flats” of the 7 primary Swaras. The 7 primary Swara are illustrated in Hindi script.
In the 1800, Chaturpandit Vishnu Narayan managed to make system called as the “That” to classify all the ragas. Unluckily, as useful as this system was, it still failed to account for many of the ragas. It is anyway the initial system in use today. There are also 2 other ways to classify rags.
In South India, the word for musical scale is mela. The Southern and Northern Indian music largely differs from each other in sound and in tools but may share the same scales. The application of these scales in terms of Indian music in common goes beyond this scope of this site but if you want to incorporate some of the wonderful sounds of these scales into your music then that is probably the remarkable usage for them.
Indian music is like Western music in many ways and extremely unlike it in many others. If you don’t have a background in music or need a refresher on Indian music theory, there are several best classics to ground you in music appreciation and music theory.

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Music Theory on American Folk

The Music Theory Explained in simple words

Music Theory on American Folk

Music Theory on American Folk

Have you heard about this term, “music theory”? Well, it is common to find someone with some sort of face showing an expression like “what?”, whenever this question is offered. But, that is truly fine, particularly for those who are just music listeners. Not everyone gets to the specific theories or rules of how to make certain music.
However, this time, we are going to grab the simplest idea of this term. If you have ever wonder of how a song could really touch your heart and mind because of its rhythm, then you can see a little trace of the songwriter’s brilliance in keeping up with music theory while making the song.

Music theory

is essential for music makers.
They may claim their not understanding of the theories, but it does not mean that they do not apply them to their songs.
Have you caught what is being explained? Do not expect much by understanding every bit of music theory when you just want to enjoy listening to music. Even, music is meant to be enjoyed, at the very first place.
Now that you get it clearer, then you may be interested in seeing if every genre in music has different music theory. Pop, rock, and jazz are among them. Then, what about folk music? You must have ever heard about this music. Folk’s being able to be called as a genre is debatable among music listeners, but whatever it is, folk music is remarkable.
american folk music theory

What we know so far, folk music is territorial. Every place has its own folk music and so does American. The country’s kind of folk is much represented by its simple chord progressions and simple time signatures. Besides, you may also be able to hear natural keys such as C, S, E, G and A within American’s folk songs.
There is also some other simplicity reflected from American folk music. The songs are mostly written in simple scales, for instance, pentatonic minor, pentatonic major, melodic minor, mixolydian and major.
In a number of that folk music, you can probably hear a lot of acoustic instruments used to play the song. You can imagine how catchy it feels in your ears. For example, while playing out their guitars, they would prefer to use several techniques such as fingerpicking, “boom chuck” strumming and carter-style strumming.
However, some of us might not really care about those features, for as long as we enjoy the music, then folk, pop, rock, jazz, classic and others would be felt significant in our mind.

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Significance of Music Theory
Difference between Western and Asian Music Theory

The Significance of Learning Music Theory

The Significance of Learning Music Theory

For anybody interested in playing any type of instrument or performing singing for that purpose, you’ve got to truly have a working understanding of fundamental music theory. Music theory is the basic premises to understand music. This involves reading it, being able to create basic records on the two clefs and having a working understanding in what makes music tick.

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A few of the basics which might be crucial that you understand are timing signatures, treble chef & the notes on bass, major & minor notes along with other notations that tell you these things as to play softer, louder staccato, etc.

Many novice musicians get involved in their device and forget about the basics. When the moment comes in order for them to discover more challenging pieces, it becomes clear that not knowing these fundamentals may be a problem due to their continued musical advance.

The most fundamental understanding of 4/4-time passages 2/4-time whilst playing a musical piece is crucial to know. Simply basic principle like understanding that in the key of “G” there’s a sharp can make it so much cooler to play pieces because within that key.

Knowing minor & major chords along with the principles that make them minor or major can make it simpler for you to realize true note progressions. In the event you are playing a particular tone in the key of “G”, odds are you’ll realize a “Db” isn’t any appropriate note in that piece, at the in majority of the cases.

Learning music theory is only going to make your task so simpler. In the event that you do not have a working knowledge of theory you might want to look for somebody who includes this in their complete teachings (rather than simply teaching strumming styles & chords) or get a book of it so that you’re able to support your learning a bit more.

In summary learning music theory will absolutely help you progress as a recording artist. Learning the theory doesn’t automatically make you a better musician, instead, it offers you the tools necessary to choose your music towards the next level if you’re ready to commit yourself and work towards your goal.

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Difference between Western and Asian Music Theory

The Music Theory Explained in simple words

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Difference between Western and Asian Music Theory

Difference between Western and Asian Music Theory

Plato once said, “Music is a moral law”. It gives soul to the universe, wings to the mind, flight to the imagination, and charm and gaiety to life and to everything.” Good music not only delights you but also promotes good health.

Music Theory Courses and Workshops

Guitar Theory Revolution

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There is theory behind music. It comprises the rules that make music delightful. The music theory enables music to be written and played by musicians.

There are some distinct differences between Western classical music theory and Asian music theory. The Western music theory divides the octave into a series of 12 tones, known as chromatic scale, within which the interval between adjacent tones is known as a semitone.

In equal temperament, each semitone is equidistant from the next, but other tuning systems are also used. Scales are created by selecting tones from the 12 tones and arranging them in patterns of whole tones and semitones.

Asian music encompasses many musical styles originating from different Asian countries. There are 48 countries in Asia, the largest continent in the world.

When people speak about eastern music, they usually mean Indian classical music. Indian classical music has two genres: Hindustani music and Carnatic music. In the Hindustani music, the melodic foundations are known as ragas and the rhythmic organization is based on rhythmic patterns known as tala.

The Carnatic music theory is also based on a complex system of raga and tala. Raga is basically the scale, which has seven notes. Tala is the rhythmic foundation to the system. Ragas are categorized into various modes.

Western classical music does not use beat cycles, Indian classical music uses tala, a cycle of beats. Works in western classical music have roots in factors like historical events in human history and individual experiences. Indian classical music has an intimate association with nature.

The magic of Western classical music lies in polyphonic composition. The harmony, texture and counterpoint are created using many voices. Melody is not the singular focus of most of Western classical music works. Indian classical music is primarily homophonic. Its focus is on creating melodies using a sequence of notes. Different melodies are constructed within the framework of ragas.

Western classical music is composed, Indian classical music is improvised. In Western classical music, when vocals are used, the instrumentation still carries a lot of weight in the composition. In the Indian classical music, when vocals are used the instruments are mere accompaniments.

There are many great compositions in both Western music and Asian music. Which genre of music do you prefer to listen?

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Music Theory

Music Theory

Music theory means understanding the language of music. The big thing to understand about music theory is that it is just a method to describe the music we hear. Much had existed for 1000 of years before theory came along to describe what people were trying to accomplish naturally by pounding on their drums. Don’t ever think that you cannot be a professional musician because you have never taken a theory class. Actually, if you are a best musician, you already understand a lot of theory. You just may not know the scientific formulas or words for what you are doing.
music theory

The rules and concepts that frame music theory are extremely much like the grammatical rules that administer written language. Being capable to write out music makes it simple for other musicians to understand and play music compositions actually as the composer intended. Learning to read music is almost actually like learning a fresh language, to the point where a confident person can “hear” a music “talk” when reading a piece of music sheet.
There are plenty of self-taught, intuitive musicians out there who have never lead to write or read music and find the full idea of learning music theory unnecessary and tedious. Anyway, just like the educational leaps that can come with learning to write and read, music theory can support musicians learn fresh ideas, do unfamiliar music styles, and develop the confidence to try fresh things.
What is vital to remember, though, is that music theory is to composers what grammar is to poets. Music theory can tell you what composers and musicians have done in the past and why it jobs, but it does not say what you have to do. Just as poets are not restricted to the strict rules of musicians, grammar, too, have the poetic license to reject certain “rules” of music theory in order to make the piece they want to make.
If you want to be capable to play classic music, you must be capable to keep a steady beat, and knowing how the harmonies fit combine can make it much simple to play because you can see what is coming before you even get there. If you want to be rock musician, then understanding the notes you need to play is a given idea is especially vital. Learning to play and know music takes a lot of personal discipline, but in the close, it is merit all the hard work.

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The Music Theory Explained in simple words

A brief overview of the music theory

The Music Theory Explained in simple words

The Music Theory Explained in simple words

The Music Theory

Human beings wok very had in order to be successful and wealthy. However there are times when one feel very low and disjointed. It is those times when a quiet song soothes the ear as well as the mind of the listener. Music as some people have called it, is divine. However, the songs we hear today and those of the past, have a rich and exquisite history behind them. We all love to hear new songs but we do nothing in order to know their history. Well, if you are one of the aforementioned then it is of paramount importance that you understand the concept of Music Theory. Let us throw some light on this topic of Music Theory.
Music theory as the name suggests is about the theoretical aspects of music. Music theory deals with the various structures of music. By structures of music, we mean the different considerations of music like rhythm, melody, scales, intervals, dissonance, and harmony and so on. These different contemplations are or can be considered the structure of music. For example, how is the pitch of the tone? Thus, all these ingredients come up together in order to form the different structures of music. Now after reading the above mentioned, one might be tempted to ask whether the form of music has anything to do with Music theory or there is no effect of the type of music. Well, the answer to this question lies in the fact that with change in the form of music, there also comes a difference in the various elements like pitch, tone, and harmony. And with changes in these crucial elements, it is primary that the music theory will change in accordance.
Music theory is there in the formed of composed literature and every form of music i.e. the Hebrew music, the Chinese music or the Carnatic music, every form of music has its own literature on music and music theories and the literature is there in abundance. Although in spite of the presence of such humongous theoretical records, many classicists claim that the original music theory had no records and that it had nothing to do with these present music records.
Ideally speaking, music theory deals only as an observant and a listener. The present concept of creating music and fusing it with other forms of art is a strict no-no. But with changing times music theory has also changed its perspective and now creation of music is heralded as the new champion of music theory. The practical uses of music have been restored now, which were considered obstacles in the original music theory.

We all have heard about Aristotle and Pythagoras. We know them as great philosophers and mathematicians but we have no idea that both of them were great music theorist too. It is important to keep in mind though, that although, musical elements like harmony, dissonance, pitch and tones etc., are important features of music theory but they are not the only ones. Quintessential music theory has more do with the inherent musical observation rather than creation of music.

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Indian Music Theory-Raag Heem Indian Ragas

A brief overview of the music theory

A brief overview of the music theory

A brief overview of the music theory

Great Greek philosopher and mathematician Plato once said, “Music is a moral law. It gives soul to the universe, wings to the mind, flight to the imagination, and charm and gaiety to life and to everything.”
Music theory is the study of the theoretical elements of music. Music involves sound, pitch, melody, rhythm, notation and harmony. Music theory is the study of these elements of music. It is an act of contemplation of music.

Here is a brief overview of some elements of music:
themusictheory

Pitch

Pitch is a subjective sensation. It is the level of a tone. The higher the frequency of vibration, the higher the pitch. Likewise the lower the frequency of vibration, the lower the pitch. The difference in frequency between two pitches is known as interval.

Rhythm

Rhythm is a strong, regular, repeated pattern of sound. It is created by the sequential arrangement of sounds and silences. Meter measures music in regular pulse groupings. Playing simultaneous rhythms in more than one time signature is called polymeter.

Melody

Melody is a prominent aspect in music. It is a rhythmically organized sequence of single tones so related to one another as to make up a particular phrase. Pitch, rhythm, duration and tempo are the basic elements of melody.

Chord

A chord is a group of notes (three or more) sounded together, as a basis of harmony. Chords are mostly used in popular music. Chord structure provides strength to the melody.

Timbre

Also known as tone color, timbre is the principal phenomenon that enables you to distinguish one musical instrument from another when both play at the same volume and pitch. It is determined by the envelop of the sound and the relative balance of overtones produced by a given instrument due to its construction.

Texture

Texture is one of the basic elements of music. It is the way the rhythmic, melodic and harmonic materials are combined in a composition. It is the overall sound of a composition.

Harmony

In music theory, harmony is the study of vertical sonorities in music. Harmony is analyzed through a Roman numeral system. Roman numerals are used to identify chords based on their scalar roots. In Western music of the Common Practice Era, harmonies are generally tertian.

Notation

Musical notation is the symbolic representation of music. There are many systems of music notation.
Music is a very interesting subject. Many great personalities like Aristotle, Shoenberg and Rameau were music theorists.

Raag Sarparda Indian Music Theory

Raag Sarparda Indian Music Theory

The sweet melodies of Indian Musical Composition based on various Raags have always impressed and attracted the music lovers all over the world.In recent years many foreign students have traveled to Indian Sub-Continent to learn the semi classical and light music. The vast canvas of Indian music provides every shade and mood of musical requirement for all races and nations of the world that is why Indian music is heard and appreciated throughout the universe.

Raag Sarparada indian music theory

Today we shall learn about Raag Sarparda.

Raag Sarparada:

This raag is the Sumpuran (seven notes) raag of Bilawal Thaat. This raag has been accepted as a form of Bilawal.

The time to sing this raag is the first part of the day. According to some pandits Ga is the wadi note of this raag whereas some believe that Dha should be the wadi note.Sa and Pa are the Sumwadi note of this Raag which means that both notes can be used equally as sumwadi.

In Amrohi of this raag the tone of Bilawal must be revealed. The shape of Raag Bihag is also promised at some stage.

According to some pandits this raag has been formed with the combination of Raag Aieman, Aliya and Goond.

This raag has been invented by the Muslim singers(performers).

Arohi of Raag Sarparda:

Sa-Re-Ga-Ma-Dha-Pa-Dha-Ne-Sa(upper octave)

Amrohi of Raag Sarparda:

Sa(upper octave)-Ne-Dha-Pa-Ne-Dha-Pa-Dha-Pa-Dha-Pa-Ma-Ga-Ma-Re-Sa

Chaal of Raag Sarparda:

Sa-Re-Ga-Ma-Dha-Dha-Pa-Pa-Ma-Pa-Ma-Ga-Ga-Ma-Ga-Re-Sa-Ga-Ma-Dha-Pa

Ga-Re-Sa-Sa-Re-Ga-Ma-Re-Re-Sa-Dha-Pa-Dha-Ma-Ga-Ma-Pa-Ma-Ga-Re-Re-Sa-Sa-Re-Sa-Ne-sa-Pa-Dha-Ne-Sa-Ga-Re-Ga-Ma-Pa-Re-Sa

Ne-Dha-Ne-Sa(upper octaves)-Ne-Dha-Ne-Sa(upper note).Ne-Dha-Pa-Ma-Pa-Dha-Ne-Sa(upper octave)-Ne-Dha-Pa-Ma-Ga-Ga-Ma-Dha-Dha-Pa-Ma-Pa-Ma-Ga-Ma-Re-Sa.

Ma-Pa-Ne-Dha-Ne-Sa(upper octave)-Ne-Dha-Pa-Dha-Pa-Ne-Dha-Pa-Ma-Pa-Ne-Sa(upper octave)-Sa(upper octave)-Re(upper octave)-Ma-Pa-Ne-Dha-Ne-Dha-Ne-Dha-Pa-Dha-Pa.

Ma-Pa-Ne-Dha-Ne-Sa(upper octave)-Ne-Dha-Pa-Dha-Pa-Ne-Dha-Pa-Ma-Pa-Ma-Pa-Ne-Dha-Pa-Ma-Ga-Re-Sa.

Relevant Indian Ragas posts

Raag Alhaiya Bilawal-Indian Music Theory

Raag Hans Dhun-Indian Music Theory

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Indian Music Theory-Raag Heem Indian Ragas

Indian Music Theory-Raag Heem Indian Ragas

Indian Music Theory-Raag Heem

It is said that music is the food of soul. There is no doubt about it. You must have seen that even the animals and birds enjoy music and dance on the rythm of its melody.
Music is one of the most healthy and populer hobby for all ages. It is worth metioning that all countries of the world have their own cutural values which they express through their folk songs. So we can say music is a strong medium to let other countries know about your culture.

Today we shall learn about raag Heem.

Raag Heem:

This is an awdo raag of Bilawal Thaat. The time to sing Raag Heem is in the evening.

The wadi Sur(note) of Raag Heem is Sa whereas the Sumwadi note is Pa. In Arohi of this raag Dha and Nee are right (not allowed) whereas In Amrohi Ne and Ga are virgit.

This raag is mostly played and sung in lower and middle octaves. According to some pandits the Raag has been made with the combination of Kalyan and Kamad.

Arohi of Raag Heem:

Pa-Dha-Pa-Sa-Re-Sa-Ga-Ha-Pa-Dha-Pa-Sa.

Amrohi of Raag Heem:

Sa(Upper octave)-Dha-Pa-Ga-Ha-Pa-Ga-Ma-Re-Sa

Chaal of Raag Heem

Pa (lower octave)-Dha(lower octave)-Pa(lower octave)-Sa-Sa-Sa-Re-Sa-Ga-Re-Sa(upper octave)-Ga-Ma-Pa-Ga-Ma-Re-Sa-Sa-Re-Sa-Ga-Ma-Pa-Dha-Pa-sa-Dha-Pa-Ga-Ma-Pa-Ga-Ma-Re-Sa-Dha-Dha-Pa-Dha-Pa-Dha-Pa-Sa-Re-Sa-Pa-Ga-Ma-Re-Sa.

Sa-Sa-Re-Sa-Re-Re-Pa-Dha-Pa-Ma-Ga-Re-Sa-Ga-Ma-Pa-Ga-Ma-Re-Sa.

Sa- Sa-Re-Sa-Re-RE-Pa-Dha-Pa-Ma-Ga-Ma-Re-Sa-Ga-Ma-Pa-Ga-Ma-Re-Sa.

Sa-Ga-Pa-Dha-Pa-Pa-Dha-Pa-Sa-Dha-Pa-Ga-Ma-Re-Dha-Dha-Pa-Dha-Pa-Pa-Sa-Pa-Ga-Ma-Sa-Re-Sa

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Raag Alhaiya Bilawal-Indian Music Theory

Raag Hans Dhun-Indian Music Theory

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