Indian music theory explained in terms of Ghazals Qawali and notes



Indian music theory explained in terms of Ghazals Qawali and notes:

Ghazals:

indianmusictheory1

Ghazal is one of the most popular style of singing. It has special importance in Indian music. It’s origin is believed to be the Mughal Dynesty. The emperors and queens were very fond of this performing art. Well! the subject of Ghazal is always romantic, but now-a-days there is no binding, the performers may choose any other related subject too for ghazal. There have been many famous Ghazal singers in the Indian sub-continent. Special gathering, are arranged in the evenings till mid-night to listen to the Ghazal singers. One of the most popular ghazal singers in Indian History is “Jagjit Singh”.
Qawali:

In this form of singing the subject mostly relates to the divine and spiritual personalities that have influenced the masses of people by their spiritual teaching for the spread of religions.

In Qawali many artists take part, but there is always one lead singer. The specialty of this kind of singing is that rhythm is very loud that magically hypnotizes the listeners.

This point is to be noted that there is no nation in the world that has bot been influenced by music. Though they all have their own style and in some cases primitive musical instruments but one thing is for sure that music has international presence.

The names of notes in Indian Music:

In order to acquire knowledge about Indian music, it is important to know the names of musical notes. They are mentioned below:
C (Kharj) – D (Rakkab) – E (Gandhar)
F (Madham) – G (Pancham) – A (Dehwat)
B (Nikhad)

 

More simple names of the notes are mentioned below:-

c (Saa)
d (Raay)
e (Gaa)
f (Maa)
g (Paa)
A (Dhaa)
B (Nee)
Hope you enjoyed this post and that it has helped people all around the world to better understand the indian music theory.

 

Leave a Reply

Your email address will not be published. Required fields are marked *