Raag Alhaiya Bilawal-Indian Music Theory

Raag Alhaiya Bilawal-Indian Music Theory

raag alhaiya bilawal indian music theory

This raag is the khado -sampuran raag of Bilawal thaat. Ma is not allowed in Arohi whereas Amrohi is sampuran but Ga is not played in sequence in this raag.

Dha is wadi and ga is sumwadi note of this raag. Time to sing this raag is morning.


sa-re-sa-ga-re-ga-pa-dha-ne-dha-high octave sa


high octave sa-ne-dha-pa-dha-ne-dha-pa-ga-ma-pa-ma-ga-re-high octave sa

Chaal of Alhaiya Bilawal:

pa-ne-dha-ne-high octave sa-dha-ne-dha-pa-ma-ga-ma-re-ga-ma-pa-ma-ga-re-sa

Ne (low octave)-sa-ga-ma-re-ga-pa-ne-dha-pa-ga-ma-pa-re-ne-dha-high octave sa-ne-dha-ne-dha-pa-ga-ma-re-ne-sa-ma-pa-ne-high octave sa re-ne-high octave sa-ne-dha-pa-ne-dha-ne-high octave sa ga ma re sa-re-ne-high octave sa-dha-high octave ne-dha-pa-dha-pa-ma-ga-ma-re-sa

high octave sa-dha-pa-dha-ne-pa-ma-ga-re-ga-pa-ne-high octave sa re sa-ne-dha-pa-ma-ga-re-sa

Relevant Raag Posts

Raag Jaldhar Kedara-Indian Music Theory

Raag Durga notes and notation-Indian music theory

Useful Recommended Product on the topic:

Essence of Raag (Indian Classical Music)

I Hope that this post was useful in understanding Raag Alhaiya Bilawal, kindly share it. Thank you for paying a visit to our blog. Keep coming back for more fun posts on Music.