Raag Shukla Bilawal-Indian Music Theory

Raag Shukla Bilawal-Indian Music Theory:

raag shukla bilawal indian music theory

Raag Shukla Bilawal is the sumpuran raag of bilawal thaat, this is also known as one of the kinds of raag Bilawal.

Time to sing this raag is in the morning. In this raag wadi sur (note) is Ma and Sumwadi note is Sa.

In Arohi of this raag, Re is weak or we can say it is less used. Because this is the raag of utarwang therefore Amrohi notes provide more soothing musical effects to the ears of the listeners. The harmony of Dha and Ma feels great. So we can say special Taan is originated by the combination of these two notes.

The style of this raag is vikar which means it is not played in sequence therefore at certain point it resembles Gorsarang. Some performers also use komal (flat B) Ne which looks marvellous. Remember this note is to be used as Dev Gadi i.e. note is not allowed in the raag.

Raag Shukla Bilawa 3

Arohi of Shukla Bilawal:

Sa-ga-ma-ma-pa-pa-dha-pa-dha-ne-sa (high octave)

Amrohi of Shukla Bilawal:

Sa (high octave)-ne-dha-pa-dha-ne-dha-pa-ma-ga-re-ma-re-sa (high octave)

Chaal of Shukla Bilawal:


Ne (low octave)-sa-ga-ma-re-pa-dha-ma-ma-pa-Dha (high octave)-ne-dha-pa-ma-ma-re-pa-dha-ma-ga-re-sa

sa-ga-ma-pa-ne-(high octave) sa-re-sa-sa,

Ma-ga-ma-ne-dha-pa-ma-pa-ma-ma-ga-re-sa-ga-re-sa-ga-ma-ma-ga-ma-pa-ne-high octave sa-re-sa, ne-dha-pa-ma-ma-pa-ga-re-ga-ma-pa-dha-ne-dha-pa-dha-ma-ma-ga-re-pa-re-ga-re-sa

Relevant Raag Posts:

Raag Nut bhairav-Indian Music Theory

Raag Dev Gadi in terms of Indian Music Theory

Raag Maand in Indian Music Theory

Raag Shukla Bilawal 2